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         I

He would drink by himself
And raise a weathered thumb
Towards the high shelf,
Calling another rum
And blackcurrant, without
Having to raise his voice,
Or order a quick stout
By a lifting of the eyes
And a discreet dumb-show
Of pulling off the top;
At closing time would go
In waders and peaked cap
Into the showery dark,
A dole-kept breadwinner
But a natural for work.
I loved his whole manner,
Sure-footed but too sly,
His deadpan sidling tact,
His fisherman's quick eye
And turned observant back.

Incomprehensible
To him, my other life.
Sometimes on the high stool,
Too busy with his knife
At a tobacco plug
And not meeting my eye,
In the pause after a slug
He mentioned poetry.
We would be on our own
And, always politic
And shy of condescension,
I would manage by some trick
To switch the talk to eels
Or lore of the horse and cart
Or the Provisionals.

But my tentative art
His turned back watches too:
He was blown to bits
Out drinking in a curfew
Others obeyed, three nights
After they shot dead
The thirteen men in Derry.
PARAS THIRTEEN, the walls said,
BOGSIDE NIL. That Wednesday
Everyone held
His breath and trembled.

II

It was a day of cold
Raw silence, wind-blown
Surplice and soutane:
Rained-on, flower-laden
Coffin after coffin
Seemed to float from the door
Of the packed cathedral
Like blossoms on slow water.
The common funeral
Unrolled its swaddling band,
Lapping, tightening
Till we were braced and bound
Like brothers in a ring.

But he would not be held
At home by his own crowd
Whatever threats were phoned,
Whatever black flags waved.
I see him as he turned
In that bombed offending place,
Remorse fused with terror
In his still knowable face,
His cornered outfaced stare
Blinding in the flash.

He had gone miles away
For he drank like a fish
Nightly, naturally
Swimming towards the lure
Of warm lit-up places,
The blurred mesh and murmur
Drifting among glasses
In the gregarious smoke.
How culpable was he
That last night when he broke
Our tribe's complicity?
'Now, you're supposed to be
An educated man,'
I hear him say. 'Puzzle me
The right answer to that one.'

III

I missed his funeral,
Those quiet walkers
And sideways talkers
Shoaling out of his lane
To the respectable
Purring of the hearse...
They move in equal pace
With the habitual
Slow consolation
Of a dawdling engine,
The line lifted, hand
Over fist, cold sunshine
On the water, the land
Banked under fog: that morning
I was taken in his boat,
The screw purling, turning
Indolent fathoms white,
I tasted freedom with him.
To get out early, haul
Steadily off the bottom,
Dispraise the catch, and smile
As you find a rhythm
Working you, slow mile by mile,
Into your proper haunt
Somewhere, well out, beyond...

Dawn-sniffing revenant,
Plodder through midnight rain,
Question me again.

Casualty - Seamus Heaney

 

This is the Marrian web site. Sad to relate Mrs Marrian wants nothing to do with it. Her watercolours are beautiful but she's shy. She has many talents but she's still shy. She can't get away from the brilliance of her school though

I'm asked: why do you want the world to read about you? I'm even asked this by people with Facebook pages and lots of friends. It's a good question and I sometimes wonder myself. With social networking sites, you can control who partakes of your offerings; here you can't. But, I don't want to select who might or might not read these pages. The world is full of unknown people. There is stuff here; admittedly, it is my stuff or assembled by me but some of it might be helpful to somebody, or of interest. This is how I communicate. I don't like socialising; I'm no good at it; never was one of the boys. I used to like listening to the grown-ups talk; still do; just listening, not talking. The fact is, though, that nobody reads these pages; that's what the stats tell me; it's not that they come here and never return; they just never come here; it's the serendipity of it that I like. But most of all, I'm open to the world because it disciplines me; the writing, such as it is, is more considered, more thoughtful and better for that. It is cathartic. It is not for nothing that every page has at the top "include yourself amongst those you love". I must learn to love myself and being proud of what I write helps me to do that